10:00 pm - May 9, 2025

The food website now reaches one in four Australians and grew nearly 15% year on year.

Taste.com.au pivoted its content to target men and younger demographics and now leads Australia’s lifestyle category with an impressive 5.47 million users in December, representing a 14.4% increase compared to the previous year. This growth places Taste.com.au 1.36 million users ahead of its closest competitor.

The latest statistics indicate that the platform reaches one in four online Australians, amassing 100 million page views in December alone. Engagement levels on the site are reported to be three times greater than those of its rivals.

In addition to audience numbers, Taste.com.au has excelled across various lifestyle sub-categories in terms of audience reach, video performance and overall page views.

Laura Simpson, the content director for Taste.com.au, attributes this surge in audience engagement to a redefined content strategy, technological enhancements and an assertive marketing initiative. “Recognising shifts in the grocery buyer landscape, we developed more content to appeal to men, younger demographics, and singles and couples who aren’t cooking big meals every night,” Simpson told Media Week.

The shift in target demographics has led to good outcomes: while the overall audience grew by 14.4% year-on-year, the male audience saw an increase of more than 30%, and younger users aged 14-24 grew by an impressive 37.8%.

Simpson further explained the platform’s approach: “We’ve also diversified our content mix to include food knowledge. The majority of this new, tip-based content is video-led, adding value for our audience by packaging up the decades of expertise on the taste.com.au food team into short, snackable segments.” T

his shift to video content aligns with broader trends in the media landscape, where visual formats are increasingly favoured by consumers, particularly younger audiences seeking quick and digestible information.

Additionally, the site’s overhaul included a new brand visual identity across all platforms, described as injecting “more colour and energy” through altered photography and styling. This refresh culminated in a significant marketing campaign that spanned various channels, including audio, social media, out-of-home advertising, television, and online platforms over the Christmas period.

Source: Noah Wire Services

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Noah Fact Check Pro

The draft above was created using the information available at the time the story first
emerged. We’ve since applied our fact-checking process to the final narrative, based on the criteria listed
below. The results are intended to help you assess the credibility of the piece and highlight any areas that may
warrant further investigation.

Freshness check

Score:
8

Notes:
The narrative references recent audience figures and strategic changes, suggesting it is relatively current. However, without a specific date or confirmation of recent updates, it’s difficult to assess its absolute freshness.

Quotes check

Score:
6

Notes:
The quotes from Laura Simpson, while seemingly original, lack an earliest known reference online. This could indicate they are first-hand or recent, but without further verification, it’s hard to confirm their origin.

Source reliability

Score:
8

Notes:
The narrative originates from Mediaweek, a reputable media publication in Australia. This generally lends credibility to the information presented.

Plausability check

Score:
9

Notes:
The claims about audience growth and strategic changes are plausible given the context of evolving digital media landscapes and the importance of adapting content strategies to engage diverse audiences.

Overall assessment

Verdict (FAIL, OPEN, PASS): PASS

Confidence (LOW, MEDIUM, HIGH): HIGH

Summary:
The narrative appears to be current and well-supported by a reputable source. The strategic changes and audience growth figures are plausible within the context of digital media trends. While the quotes lack an earliest known reference, they seem original and align with the narrative’s context.

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